This poem captures it perfectly Camino. The way forward, the way between things, the way already walked before you, the path disappearing and re-appearing even as the ground gave way beneath you, the grief apparent only in the moment of forgetting, then the river, the mountain, the lifting song of the Sky Lark inviting you over the rain filled pass when your legs had given up, and after, it would be dusk and the half-lit villages in evening light; other people's homes glimpsed through lighted windows and inside, other people's lives; your own home you had left crowding your memory as you looked to see a child playing or a mother moving from one side of a room to another, your eyes wet with the keen cold wind of Navarre. But your loss brought you here to walk under one name and one name only, and to find the guise under which all loss can live; remember you were given that name every day along the way, remember you were greeted as such, and you neede...
Comments
I know from my own experience of both deafness and dance there is inexplicable heightened perception of the vibration of life.
The knowing and being 'in time' with others that I am sometimes aware of is a blessing.
When I watch dance I see when dancers feel rather than hear the music and I am far more aware of the 'essence' of individual dancers and of the overall meaning of a piece than I was when I was younger and hearing.
I am sometimes overcome with a spiritual awareness in the middle of a dance piece. In this dance there is for me a reiteration of the 'oneness' of humanity- and the individual movements making one 'wave' really fascinate me and stretch my mind.
Tais' beautiful face shows such love and gratitude at being one and a part of the dance. The dance of life. There is true acceptance and serenity.
The last dance clip you shared with us also had a profound affect upon me. I didn't at the time have the courage to make comment but would like to know if others felt/noticed the extraordinary moment of truth almost as strong as a 'knowing' moment in prayer. I revisited it many times with wonder. It is when she is balanced en pointe on his head. There is a known moment of communication between them that I still don't understand.
Thank you for sharing such thought provoking beauty with us.
I was aware that the dancers in the other clip must have extraordinary communication. A friend of my daughter Catherine is a dancer, and was flabbergasted that the ballerina would take such risks with her ankles as dancing en pointe on a soft and moving surface - impossible risks unless the second by second communication between the partners was almost psychically strong and instantaneous.
She also mentioned that the particular turn executed while on the guy's head was extremely difficult to do while on a hard stable floor, but verging on the impossible on a moving surface. Would you agree?
There is an essence or spirit of the individual subsumed by the collective for a greater expressive spectacle which is particular to the eastern mind and culture and a genre that they do very well.
The precision and execution was exquisite, formidable and beautiful in a detached and unemotional way.
An astonishing piece of artistry!