Skip to main content

Seeing in the Dark


It is perhaps seven or eight hours until the sun rises on Easter morning, and I am thinking about two things. One is Anthony De Mello, who in talking of our enemies says, "Given the background, the life experience, and the unawareness of this person, he (sic) cannot help behaving the way he does. It has been so well said that to understand all is to forgive all. If you really understood this person you would see him as crippled and not blameworthy..."
The other is Jesus being nailed to his cross and praying, "Forgive them for they know not what they do."

I don't think Jesus was praying just for the drunken louts who were doing what the procurator paid them to do. He was praying also for the procurator and the High Priest, and the Sanhedrin and the countless, nameless ones who worked the machinery of power. He was praying for his friend Judas who had thought that the best course of action was to give the authorities what they wanted. All of them were not so much evil as ignorant; unaware of who they were dealing with and unaware of why they themselves thought and acted as they did. All of them, I suspect, were working with the best of motives and thought at the time that they  were doing what was true and good.

This is a hard truth that Jesus' absolute forgiveness faces us with. How much easier to have  a couple of separate categories, the bad guys and the good guys into which to sort people. With those simple labels we can, with very little mental sleight of hand, imagine that we are in the group that wears the white hats and  consign all those who make us uncomfortable into the group that wears the black hats. By keeping a few simple rules, or by adhering to the right  few easily understood doctrines we can give ourselves the comforting knowledge that we are on the right side of the line. We have the added pleasure of being able to pity, or loathe, or fear or vilify those on the wrong side of the line. We have done this for centuries to the principal villains of the Easter story, to Judas and Pilate and Caiaphas, and at times our loathing and fear has spilled out onto groups of others whom we have imagined share some of the guilt of these three.

But Jesus lies with his lacerated back on grey splintered wood and watches as someone puts a nail against his wrist and in his anguish and terror he yet forgives. And in forgiving he tells us that there is no line; we are all there with the soldiers and priests and deserters and cowards, each one of us. We cannot look to others for blame, but only to ourselves.

This is a harder call. Judas is crippled and not blameworthy, but if this is true, then so am I. And it's so much easier to find a reprehensible other to hate and fear than it is to acknowledge the partiality and error of my own awareness. But as the admission of the dullness of my own sight is the harder call, so is the remedy more glorious; for as the villains of  Good Friday are forgiven, absolutely and unconditionally, then so am I. And I am invited to participate in a resurrection which Judas, tragically, never saw. I am invited to allow the Holy Spirit to lead me to a new awareness of myself and my motives which, though at times is excruciatingly and humiliatingly painful, enables me to live the life into which Jesus calls me. 

Comments

Balfdib said…
Thank you Kelvin. Thank you also for your prompt about Anthony de Mello's book The Way of Love. So challenging and profound. Hope you and Clemency have a truly Blessed Easter. David
NIE said…
Thanks, Kelvin. Yes, scapegoats and projection - we are so good at that.
As the story goes deeper and deeper each time we let it really enter us, may God help us realise the power of those words about forgiveness. In that moment of utter darkness comes the amazing illumination of what LOVE IS.
Grace and Peace to you, Kelvin.

Popular posts from this blog

The Matter With Things. 2

  Last night I finished reading Iain McGilchrist's The Matter With Things, Our Brains, our Delusions and the Unmaking of the World , the biggest book I have ever read, in all senses of the word "biggest". Back in 2017 I wrote about books which had been important to me , and, however I would recompile that list now, The Matter With Things would go straight to the top. Really. It's that good. I've read every word: no skipping or coming to and realising that my eyes have been glazed over for the past ten minutes. It's taken me a couple of months to engage  with its 1300 or so pages of text, and, as well, there are another couple of hundred pages of  appendices and bibliography (well, OK, I haven't read the bibliography). At the end of the book proper there is an epilogue which is a "so what" chapter in which McGilchrist speculates about the implications of his hemispheric theory for the world in the immediate future. This epilogue is preceded by a

En Hakkore

In the hills up behind Ranfurly there used to be a town, Hamilton, which at one stage was home to 5,000 people. All that remains of it now is a graveyard, fenced off and baking in the lonely brown hills. Near it, in the 1930s a large Sanitorium was built for the treatment of tuberculosis and other respiratory ailments. It was a substantial complex of buildings with wards, a nurses hostel, impressive houses for the manager and superintendent and all the utility buildings needed for such a large operation. The treatment offered consisted of isolation, views and weather. Patients were exposed to the air, the tons of it which whistled past, often at great speed, the warmth of the sun and the cold. They were housed in small cubicles opening onto huge glassed verandas where they cooked in the summer and froze in the winter and often, what with the wholesome food and the exercise, got better. When advances in antibiotics rendered the Sanitorium obsolete it was turned into a Borstal and the

Camino, by David Whyte

This poem captures it perfectly Camino. The way forward, the way between things, the way already walked before you, the path disappearing and re-appearing even as the ground gave way beneath you, the grief apparent only in the moment of forgetting, then the river, the mountain, the lifting song of the Sky Lark inviting you over the rain filled pass when your legs had given up, and after, it would be dusk and the half-lit villages in evening light; other people's homes glimpsed through lighted windows and inside, other people's lives; your own home you had left crowding your memory as you looked to see a child playing or a mother moving from one side of a room to another, your eyes wet with the keen cold wind of Navarre. But your loss brought you here to walk under one name and one name only, and to find the guise under which all loss can live; remember you were given that name every day along the way, remember you were greeted as such, and you neede

Turn Sideways Into The Light

David Whyte speaks in his audio series What To Remember When Waking of the myth of the Tuatha De Danann. They were a mythical race from Ireland's past who were tall, magical, mystical people devoted to beauty and artistry. When another more brutal people, the Milesians invaded Ireland the Tuatha De Danann fought them off in two battles, but were faced with a third, decisive battle against overwhelming odds. So, lined up in battle formation and facing almost certain defeat, the Tuatha De Danann turned sideways into the light and disappeared. Whyte's retelling is, to put it mildly, a gloss, but I am quite taken with the phrase and with the phenomenon it describes. Turning sideways into the light is the realisation that there are some encounters that are damaging to all involved in them: no one wins a war. Faced with such an exchange, to turn sideways into the light is to seek another, more whole form of relationship. It is to reject the ground rules of the conversation as they

Invisible

I arrive at the door, wondering if I have to pay admittance. I've never been an event photographer before and I have no idea what I'm supposed to do. The young woman at the desk looks up and smiles.  "Oh, we've been expecting you. Come in " she says. She stands and I follow her into the foyer where the show is set up. I put my large camera bag on a table and glance around. There are children everywhere, and someone in a rainbow costume is singing and playing her violin, and radiating seemingly inexhaustible energy from the small stage at the front.  "Rainbow Rosalind" says my host. "She's fabulous, isn't she?" "Yeah. Great."  Who could argue? Who would want to? She's fabulous. "Is there anything I can get you?" she asks. "Coffee? Tea? The friands are actually very good. " "Ahh, no... I'm all good thanks. I'll just get on with it. OK if I put my stuff here?" She smiles and goes back to