Garden

I live with a woman whose happy place is the 1350 square metres surrounding our house, and she's very often happy. When required I saw off branches and dig holes and move stuff around in the wheelbarrow but mostly, my role is to be the audience. It's what we do before breakfast, with coffee, when even in November there is a dew and you can see traces of your breath in the clear, early air. Bring your camera, she says. Look at this. Quick, over here, this is special. A bellbird proclaims his dominion and her friend the blackbird is loitering, hoping she may be doing something with the worm laden compost. The vegetables are coming along nicely. The wisteria is in bloom. How did this happen? How did we end up here? Thank you. Thank you. Thank you.

Photos: Nikon D7100, Micro Nikkor 105mm 2.8

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Ko Tangata Tiriti Ahau

The Christmas before last our kids gave us Ancestry.com kits. You know the deal: you spit into a test tube, send it over to Ireland, and in a month or so you get a wadge of paper in the mail telling you who you are. I've never, previously, been interested in all that stuff. I knew my forbears came to Aotearoa in the 1850's from Britain but I didn't know from where, exactly. Clemency's results, as it turns out, were pretty interesting. She was born in England, but has ancestors from various European places, and some who are Ngāti Raukawa, so she can whakapapa back to a little marae called Kikopiri, near Ōtaki. And me? It turns out I'm more British than most British people. Apart from a smattering of Norse - probably the result of some Viking raid in the dim distant past - all my tūpuna seem to have come from a little group of villages in Nottinghamshire. Now I've been to the UK a few times, and I quite like it, but it's not home: my heart and soul belon...

Kindle

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En Hakkore

In the hills up behind Ranfurly there used to be a town, Hamilton, which at one stage was home to 5,000 people. All that remains of it now is a graveyard, fenced off and baking in the lonely brown hills. Near it, in the 1930s a large Sanitorium was built for the treatment of tuberculosis and other respiratory ailments. It was a substantial complex of buildings with wards, a nurses hostel, impressive houses for the manager and superintendent and all the utility buildings needed for such a large operation. The treatment offered consisted of isolation, views and weather. Patients were exposed to the air, the tons of it which whistled past, often at great speed, the warmth of the sun and the cold. They were housed in small cubicles opening onto huge glassed verandas where they cooked in the summer and froze in the winter and often, what with the wholesome food and the exercise, got better. When advances in antibiotics rendered the Sanitorium obsolete it was turned into a Borstal and...

The Traitor

A couple of people have questioned me privately about the Leonard Cohen song The Traitor , and about Cohen's comments on the song, "[The Traitor is about] the feeling we have of betraying some mission we were mandated to fulfill and being unable to fulfill it; then coming to understand that the real mandate was not to fulfill it; and the real courage is to stand guiltless in the predicament in which you find yourself". What on earth does he mean, and why am I so excited about it? For the latter, check with my psychiatrist. For the former, my take on the song is this: The Traitor is another of those instances, as in The Partisan , where Leonard Cohen uses a military metaphor to speak of life in general and human love in particular. Many of us hold high ideals: some great quest or other that we pursue. These are often laudable things: finding true love, finding the absolute love of God, becoming enlightened, spreading the Gospel, writing the great novel or some such ...

Camino, by David Whyte

This poem captures it perfectly Camino. The way forward, the way between things, the way already walked before you, the path disappearing and re-appearing even as the ground gave way beneath you, the grief apparent only in the moment of forgetting, then the river, the mountain, the lifting song of the Sky Lark inviting you over the rain filled pass when your legs had given up, and after, it would be dusk and the half-lit villages in evening light; other people's homes glimpsed through lighted windows and inside, other people's lives; your own home you had left crowding your memory as you looked to see a child playing or a mother moving from one side of a room to another, your eyes wet with the keen cold wind of Navarre. But your loss brought you here to walk under one name and one name only, and to find the guise under which all loss can live; remember you were given that name every day along the way, remember you were greeted as such, and you neede...

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