Every novel is an autobiography. Every painting is a self portrait. So is every photograph. It’s a record of what the artist deems worthy of notice. It’s a token of the narrative the artist is using to make sense of the world, and an attempt to tell that story to whoever will take the time to look.
Sometimes the self portrayal is a little more self conscious, as when the record of my ephemeral passing is caught in the (only slightly) less ephemeral surface of an airflow trailer.
My camera comes with me most places now, even on an overnight trip to this little town to talk to the staff of the 3 Anglican Schools here, about how they might be more authentically and missionally part of the Anglican Church. It’s an astonishing piece of technology. The camera I mean, though I suppose the Anglican Church also. It is powerfully adept. And woefully lacking. But it’s shortcomings force me to confront the transience of all things. Things zoom past but even what seems solid is also making that great journey from nothingness to existence and back again. It’s only speed, or the lack of it which give the illusion of permanence. And again, I mean the camera and the church.
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