Friday was our last full day in Jordan. We left Wadi Musa at Midday and headed for Lawrence of Arabia country. Wadi Rum, where we arrived in mid afternoon is a thousand square kilometres or so of sand, basalt and sandstone. It is the place where T.E. Lawrence did his bit for the Arab revolt and where the 1962 film about him was shot. We were taken for a hair raising ride through some of it in a beat up Nissan Patrol driven with consumate skill by a Bedouin driver who could not get his tongue around any of our names, except Scott's. "Ah," he said," like Saddam Hussein! Scud!" We spent the night in tents, albeit ones equipped with beds and mattresses, but sleep was scarce on account of the heat and of the Lebanese girls dancing to very loud Arab pop music.
Wadi Rum is a place of quiet and power and beauty. You know what they say about the relative worth of pictures and words so:
A 3 day taught retreat in the practice of Centering Prayer. Saturday October 2 2021 - Monday October 4 2021 Centering Prayer is a form of Christian silent contemplative prayer. This retreat is suitable for beginners in silent prayer, or for more experienced practitioners wishing to refresh their practice. The retreat will be held in the En Hakkore retreat centre in the hills above Waipiata in the Maniototo. There will be daily sessions of silent prayer, instruction and discussion. The venue is spacious and set in an expansive landscape. there will be some time for personal reflection. The cost is $175 per person which includes 2 nights accommodation and all meals. Since the beginning, following the example of Jesus, there has been a tradition of silent prayer in the Christian Church. Over the centuries this tradition faded from the popular view and became confined to monasteries. It was kept alive by a largely ignored, but never fading lineage of Christian contemplatives.
David Whyte speaks in his audio series What To Remember When Waking of the myth of the Tuatha De Danann. They were a mythical race from Ireland's past who were tall, magical, mystical people devoted to beauty and artistry. When another more brutal people, the Milesians invaded Ireland the Tuatha De Danann fought them off in two battles, but were faced with a third, decisive battle against overwhelming odds. So, lined up in battle formation and facing almost certain defeat, the Tuatha De Danann turned sideways into the light and disappeared. Whyte's retelling is, to put it mildly, a gloss, but I am quite taken with the phrase and with the phenomenon it describes. Turning sideways into the light is the realisation that there are some encounters that are damaging to all involved in them: no one wins a war. Faced with such an exchange, to turn sideways into the light is to seek another, more whole form of relationship. It is to reject the ground rules of the conversation as they
In the hills up behind Ranfurly there used to be a town, Hamilton, which at one stage was home to 5,000 people. All that remains of it now is a graveyard, fenced off and baking in the lonely brown hills. Near it, in the 1930s a large Sanitorium was built for the treatment of tuberculosis and other respiratory ailments. It was a substantial complex of buildings with wards, a nurses hostel, impressive houses for the manager and superintendent and all the utility buildings needed for such a large operation. The treatment offered consisted of isolation, views and weather. Patients were exposed to the air, the tons of it which whistled past, often at great speed, the warmth of the sun and the cold. They were housed in small cubicles opening onto huge glassed verandas where they cooked in the summer and froze in the winter and often, what with the wholesome food and the exercise, got better. When advances in antibiotics rendered the Sanitorium obsolete it was turned into a Borstal and the
This poem captures it perfectly Camino. The way forward, the way between things, the way already walked before you, the path disappearing and re-appearing even as the ground gave way beneath you, the grief apparent only in the moment of forgetting, then the river, the mountain, the lifting song of the Sky Lark inviting you over the rain filled pass when your legs had given up, and after, it would be dusk and the half-lit villages in evening light; other people's homes glimpsed through lighted windows and inside, other people's lives; your own home you had left crowding your memory as you looked to see a child playing or a mother moving from one side of a room to another, your eyes wet with the keen cold wind of Navarre. But your loss brought you here to walk under one name and one name only, and to find the guise under which all loss can live; remember you were given that name every day along the way, remember you were greeted as such, and you neede
This photo was taken by my daughter Catherine, when I was about 50. I think she did a pretty good job. The number 70 has a kind of Biblical gravitas. It’s the number of elders appointed by Moses to lead the recalcitrant Israelites, and the number of people who went down to join Joseph, in Egypt. Jesus sent 70 disciples out to minister in his name, and the first Jewish Sanhedrin had 70 blokes in it. And, of course, there is Psalm 90:10: “ The days of our life are threescore years and ten, and if by reason of strength they be fourscore, yet is their strength labour and sorrow, for it is soon cut off and we fly away ”. All this has some personal import because I turn 70 today, and can no longer fool myself that I am middle aged. I’m old. And before you feed me one of the lines of balderdash that pass for wisdom in our culture - “you’re only as old as you feel”; “70 is the new 50”; “age is just a number” or some other such nonsense, let me tell you that I am happy to be old. Deliriously